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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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General information

Marianne Egan and her children Gertrude Evans Cahuac and Henry William Cahuac

Maritime disaster leaves poignant picture

Absence rends the heart asunder

Thomas Sutcliffe Mort and his wife Theresa

A head for business and a heart for love

For love, not money

Thomas and John Clarke, bushrangers, photographed in Braidwood Gaol

The last bushrangers

It's Complicated

Brothers in harms

Queenie McKenzie Nakara

She saved his life. He showed her painting.

Nearest & Dearest

Leaders, painters, friends

Portrait of Mrs Tom Roberts

Who is Lillie Roberts?

Talented wife for a talented husband

Convict love token from J. Waldon, 1832

To coin a (farewell) phrase

A penny for their thoughts

Thomas Archbold, Durham, 1826 by John Dempsey

Street fare

General content

The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.

Finalists announced for National Photographic Portrait Prize

14 November 2018

Archived media releases 2018

The National Portrait Gallery would like to congratulate the forty finalists for the National Photographic Portrait Prize 2019.

Reg Richardson AM

2015-17 Acquisition Fund

From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.

Selfie Factory, 2017 by Ralph Kenke and Elmar Trefz

Ralph Kenke and Elmar Trefz win Digital Portraiture Award with Selfie Factory

1 December 2017

Archived media releases 2017

The National Portrait Gallery is pleased to announce Mr Ralph Kenke and Mr Elmar Trefz are the winners of the Digital Portraiture Award 2017 for their submission Selfie Factory.

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

Alab ng puso (Fire in the heart), 2010 by Alfredo Esquillo Jr

Alfredo Esquillo Jr

by Patrick D. Flores

Born in Manila in 1972, Alfredo Esquillo Jr majored in painting at University of Santo Thomas.

Ngalim-Ngalimbooroo Ngagenybe

Presenting… Shirley Purdie’s Ngalim-Ngalimbooroo Ngagenybe

Wednesday 27 May 2020

Archived media releases 2020

The National Portrait Gallery this week launches an online exhibition of Shirley Purdie’s remarkable self-portrait Ngalim-Ngalimbooroo Ngagenybe to coincide with Reconciliation Week.

Cormac and Callum, 2008 by Ingvar Kenne

NPPP 2009 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.

Michelle Simmons

Michelle Simmons, 2018

General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

Ruby (left view), 2022 Shea Kirk

National Photographic Portrait Prize 2023

Learning resources

We encourage you to look, to feel, to think, to question and most importantly, to identify and connect.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency